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Salomé Voegelin: performing Alison Knowles' Nivea Cream score in COVID-19, alone and with alcagel

28.11.24, 16:00, Salomé Voegelin, listening session

From November 2024 onward, the research cluster The Art of Resonance – The Resonance of Art is organising a series of informal listening sessions with international artists and researchers, with an eye (and ear) to cultivating a sonic sensibility and relationality.

Salomé Voegelin

Salomé Voegelin is a writer, researcher, and practitioner, who works from the relational logic of sound to focus on the in-between and the liminal, where different disciplines meet to deal with contemporary issues, and where feminist, decolonial, and postanthropocentric demands can engender different and plural knowledge possibilities. She is engaged in the transversal and transdisciplinary potential of the sonic - to listen across disciplines and processes in order to develop a hybridisation of research where music, arts and humanities skills and methodologies can generate a contemporary response to climate, health and social emergencies. As an artistic researcher she focuses on the possibilities of sound and music for knowledge and pedagogy, and is invested in its scope to re-vision the aesthetic to reveal hidden slices of the real. She is the author of Listening to Noise and Silence (2010), Sonic Possible Worlds (2014/21), The Political Possibility of Sound (2018) and Uncurating Sound [2023]. Voegelin is a Professor of Sound at the London College of Communication, University of the Arts London.

free
Campus Bijloke
Godshuizenlaan 2A
9000 Gent
16:00-20:00