
08.05.25, 19:00, David Reinfurt, "Here are some tips to give your work a life.”
David Reinfurt is an independent graphic designer in New York City. He graduated from the University of North Carolina in 1993 and received an MFA from Yale University in 1999. On the first business day of 2000, David formed O-R-G inc., a flexible graphic design practice composed of a constantly shifting network of collaborators. Together with graphic designer Stuart Bertolotti-Bailey, David established Dexter Sinister in 2006 as a workshop in the basement at 38 Ludlow Street on the Lower East Side in New York City. Together with Stuart Bertolotti-Bailey and Angie Keefer, David set up a non-profit institution called The Serving Library in 2011 which maintains a physical collection of art and design works, stages events, and publishes an annual journal. David was 2010 United States Artists Rockefeller Fellow in Architecture and Design and 2017 Mark Hampton Rome Prize Fellow in Design at the American Academy in Rome. His work is included in the permanent collections of the Museum of Modern Art, Walker Art Center, Centres Georges Pompidou, and the Whitney Museum of American Art. David has written two books, Muriel Cooper (MIT Press, 2017) and A New Program For Graphic Design (Inventory Press/DAP, 2019) and is Professor of the Practice at Princeton University.
English spoken
Cloquet
Louis Pasteurlaan 2
9000 Gent
videoLees, kijk, luisterartistic activities Marijke De Roover, KASKlezing, 08.02.24Recording of Marijke De Roover's lecture
videoLees, kijk, luistereducation KASKlezing, 09.03.23, Linda van Deursenrecording of the lecture
videoLees, kijk, luisterartistic activities KASKLezing, 20.04.2023, The Black ArchivesOpname van de lezing van Mitchell Esajas van The Black Archives.
videoLees, kijk, luisterartistic activities Het einde van het kunstonderwijs
articleLees, kijk, luistereducation Jonas Staal
articleLees, kijk, luisterartistic activities
Sébastien Bovie, Jessica Gysel, Ward HeirweghlectureAgendaArtistic activitiesSébastien Bovie
copyshop— is an independent artist book publisher, founded in 2023 by Sébastien Bovie and Tseu Ying Tang. Working in small, mostly hand-made editions, the platform treats publishing as a space for experiment, critical engagement, and dialogue. Its methodology develops through close collaboration with artists and writers, treating the book as a medium in its own right rather than solely a vehicle for content. Positioning publishing as a social and local practice, Copyshop— focuses on supporting disruptive and experimental approaches to bookmaking. By prioritising the social over profit, it aims to challenge the institutional framing of the artist’s book and ask how care and collaboration might reshape an object-based landscape.
Jessica Gysel
Jessica Gysel is a Belgian writer, editor, and cultural organiser based in Brussels. She writes about feminist, queer, and collective art practices developing on the margins of the contemporary art world. Gysel is an editor at GLEAN, where she contributes essays and interviews on artists and cultural practitioners. She is the co-founder of several queer feminist initiatives, including the magazine Girls Like Us, the event platform Girls Heart Brussels, and the ephemeral bar project Mothers & Daughters. She recently became coordinator for Team Publiek at Kaaitheater and co-edited Love & Lightning: A Collection of Queer and Feminist Manifestos, published by Valiz.
Ward Heirwegh
Ward Heirwegh is a designer and publisher based in Antwerp, Belgium. He graduated from Sint-Lucas Ghent in 2007, after which he established an independent practice as a graphic designer and art director within the cultural sector. Since 2013, he has been a faculty member at Sint Lucas Antwerpen (KdG) and has conducted workshops in Belgium, the Netherlands, Romania, and Canada. He is the founder of the now-defunct Sleeperhold Publications and currently pursues small-scale publishing and various artistic projects under the name Verantwoordelijke Uitgever.
Rietlanden Women’s Office, KASKlezingenlectureAgendaArtistic activitiesGraphic designers Elisabeth Rafstedt and Johanna Ehde are Rietlanden Women’s Office (2018, Rietlanden in Amsterdam). They are interested in current and historical methods of collaborative graphic design. Together they make the publication series MsHeresies which is about the ornamental in feminist collaboration. They give lectures and guest teach in book design and typography at various institutions around Europe, and together with Phil Baber of The Last Books they organise the poetry reading series Don’t Pay Your Rent.
Erin HoneycuttlectureAgendaArtistic activitiesErin Honeycutt is a writer and bookmaker based in Berlin, where they run CUTT PRESS, a publishing project dedicated to pamphlets, poetry chapbooks, artist books, and reprints often in collaboration with Hopscotch Reading Room, a bookshop centering anticolonial and queer perspectives. Their work explores the material life of language and the evolving institution of the book. Erin is the author of Dear Enheduanna (Ugly Duckling Presse, 2025) and Night School forthcoming from MA BIBLIOTHÈQUE.
With CUTT PRESS, Erin co-edits two imprints: Womanwood, an open-call smut gazette, and Vortext, a mail-order poetry magazine focused on the afterlife of literature. Their publishing practice often engages with alternative modes of circulation, communal authorship, and the poetics of print culture.
Erin has taught across writing and art, including the Radical Publishing seminar at Universität der Künste Berlin and Intro to Video Art at the Iceland Academy of the Arts. They also curate reading and performance events, including the forthcoming series Real Ekphrasis at ChertLüdde Gallery in collaboration with Susan Finlay.
OK-RMlectureAgendaArtistic activitiesOK-RM was founded in 2008 by Oliver Knight and Rory McGrath as a studio exploring the potential of design across disciplines and media. Their work — spanning books, identities, film, exhibitions, and installation — emerges from conceptually rigorous processes attentive to both form and context. Each project functions as a proposition, interrogating beliefs, materials, and cultural realities while fostering collaboration. Their practice is documented in the monograph A Meaningful Order. With commissions from institutions and individuals worldwide — including the Guggenheim, Tate, JW Anderson, Virgil Abloh, and Vivienne Westwood — OK-RM balances sustained research with sensitivity to collaborators’ needs.
In 2015, Knight and McGrath also founded InOtherWords, an experimental publishing imprint. The imprint has produced over 37 publications and continues to explore the book as an object and cultural form. Each publication follows its own conceptual and material logic, emphasising craft, flow, intuition, and collaboration. InOtherWords seeks to expand the spatial and temporal possibilities of printed matter, fostering exchange between artists, cultural practitioners, and audiences through carefully considered contexts and experimental forms.
Anja GrotenlectureAgendaArtistic activitiesAnja Groten is a designer and researcher based in Amsterdam. Anja's work revolves around the cross-section of digital and physical media, design and art education and the involvement in different interdisciplinary collectives such as Hackers & Designers and the Feminist Search Tools.
Since 2019 Anja heads the Design Master program of the Sandberg Instituut Amsterdam, Master of the Rietveld Academie.
In November 2022 Anja completed a PhD about the relationship of design and collectivity at PhDArts, Academy of Creative and Performing Arts, Leiden University.
Jürg LehnilectureAgendaArtistic activitiesJürg Lehni works collaboratively across disciplines, dealing with the nuances of technology, tools and the human condition. His works often take the form of platforms and scenarios for production, such as the drawing machines Hektor, Rita and Viktor, as well as software-based structures and frameworks, including Paper.js, Scriptographer and the now defunct Vectorama.org.
Lehni has shown work internationally in group and solo shows at the MoMA New York, Walker Art Center, Centre Pompidou, Institute of Contemporary Arts London, Victoria and Albert Museum, Design Museum London, Kunsthalle St. Gallen, etc. His work has been acquired by collections of institutions such as the SFMOMA (Viktor), as well as the HeK in Basel (Four Transitions & Flood Fill) and the Kunsthaus Zürich (Four Transitions).
After years of working and teaching abroad, Lehni now runs his own studio practice in Zürich. He previously was an Associate Professor of Interaction Design at the Parsons School of Art, Media, & Technology in New York in 2016-2017, the Arts Council Visiting Professor at the UCLA Department of Design Media Arts in 2012-2013, running his own studio in London in 2008-2011, and on a research residency at Sony SET Studio in Tokyo in 2006.
Garine GokceyanlectureAgendaArtistic activitiesGarine Gokceyan is a Brussels-based independent graphic designer and researcher born in Beirut. Her multidisciplinary projects and research focus on identities, languages, design politics, archives, and collective resource creation, exploring the power dynamics between dominant and underrepresented scripts and how to navigate them. She is currently a PhD student at Sint Lucas Antwerpen and the University of Antwerp (ARIA), working on a research project entitled "Exploring the Diasporic Life of Armenian Script: A Multiscript Design Laboratory.”
Loraine FurterlectureAgendaArtistic activitiesLoraine Furter is a graphic designer and researcher based in Brussels since 2007, specialised in editorial design, hybrid publishing and intersectional xfeminism. She designs and edits paper publications as well as web and digital ones, and is particularly interested in the interaction between these media.
Laurent BennerlectureAgendaArtistic activitiesLaurent Benner is a Swiss graphic designer, record label and music library founder, ‘recovering’ climate activist, Sadhaka and part-time teacher living in London. He studied Communication at Central St Martins College of Art and Design and wrote his thesis at the Royal College of Art about the correlations of image and sound, working with 16mm film as well as video and animation.
Since then, he has specialised in the conception of identities and book designs for galleries, museums, the cultural sector and individual artists. Laurent designed the catalogues for the ‘Most Beautiful Swiss Books’ competition of the years 2004—06 together with his then studio partner Jonathan Hares. He won the Inform prize for Conceptual Design in Leipzig in 2008, the Most Beautiful Swiss Books competition and the Swiss Design Awards multiple times. He co-founded the electronic record label Dreck Records in 2000 and the production music platform ‘Alors’ in 2024 with Radovan Scasascia and Laurence Oliver.
From 2019-22, he was responsible for various outputs of the Hackney branch of the UK climate activist outfit Extinction Rebellion: posters, flyers, banners, the on-boarding process, as well as the co-running of the strategic drumming band ‘Top Shop Samba’.
In this wide-lense talk, sometimes titled ’Is it Better than a Tree?’, sometimes ‘No More Tears’, sometimes ‘“You and Me on a Journey”’, Laurent will focus on his ever-evolving body of reflections about the hyper-object that is the poly-crisis — touching in various degrees on visual, verbal and non-verbal communication, ecological accountability, psychology, technology, physics and chemistry, biodiversity, food systems, land use and the empowerment of the individual vis à vis the role of governance. A possibly intense, but hopefully cathartic and rewarding time spent together thinking out loud about our broader design contexts. Comments and questions throughout the talk are welcome.
James LangdonlectureAgendaArtistic activitiesJames Langdon is an educator, designer, and writer. His PhD, from RMIT University, Melbourne, concerns isomorphism (or ‘unreasonable fidelity’) in communication design. As an educator he has been professor at HfG Karlsruhe (2017–2023), and has taught regularly at HGB Leipzig (2023), EKA Tallinn (2019–2023), and ESAD Valence (2017–2019), as well as being a visiting lecturer and workshop host at many more schools in Europe and beyond. As a designer, he has worked for institutions including Serpentine Galleries, London; the National Gallery of Victoria, Melbourne; and the Contemporary Art Gallery, Vancouver; and for publishers including Sternberg Press, Spector Books, Mousse, and Book Works. He has presented his work at the major European design conferences ‘Bold Italic’ in 2012, ‘Integrated’ in 2017; and in the USA at the Walker Art Center’s ‘Insights’ lecture series in 2014. His writing on subjects in and around communication design has been published in journals including Bricks from the Kiln, The Bulletins of the Serving Library, Revue Faire, Fillip, and in recent anthologies of writing on design education, including ‘One and Many Mirrors’, published by Occasional Papers, London, in 2020; and ‘Extra-Curricular’, published by Onomatopee, Eindhoven, in 2018.
Team ThursdaylectureAgendaArtistic activitiesTeam Thursday is een grafisch ontwerpbureau opgericht door Loes van Esch en Simone Trum, gevestigd in Rotterdam. Ze focussen zich op het ontwerpen van visuele identiteiten, boeken en ruimtelijke objecten. Dit doen ze met een speciale interesse voor typografie, een nieuwsgierigheid naar materialen en de mogelijke performativiteit van een object. Ze zoeken naar patronen in alles om hen heen en hoe deze om te zetten in ontwerpen. Daarnaast geven ze onregelmatig (inter)nationale workshops, doceren typografie aan ArtEZ Arnhem en organiseren tentoonstellingen in het voorste deel van hun atelierruimte, TTHQ.
Annelys de Vet, KASKlezingenlectureAgendaArtistic activitiesAnnelys de Vet (1974, NL, she/her) is a Belgium-based designer, researcher, and educator with a practice for long-term, participative design projects that actively engage in social and political struggles. Currently, De Vet is a PhD researcher at ARIA, a practice-led doctoral study at Sint Lucas School of Arts and the University of Antwerp. Her research focuses on the conditions of design pedagogy to counteract oppression and injustice through design. She teaches in the master's program in a social-political context at the Sint Lucas School of Arts, and regularly lectures on alternative cartography, critical pedagogy, and relational design practices at various institutions worldwide.
De Vet established the temporary master's program 'Disarming Design' (2019–2022) at the Sandberg Instituut Amsterdam, dedicated to design practices in situations of oppression at the intersection of design, crafts, politics, pedagogy, community, and activism. She edited 'Design Dedication’ (Valiz, 2020), a publication exploring adaptive mentalities in design education informed by heading the MA in Design ’Think tank for Visual strategies' at the Sandberg Instituut in Amsterdam from 2009 to 2019. De Vet initiated the publishing initiative 'Subjective Editions,' which provides publications mapping countries from the inside out, offering a human perspective. Notable publications in this series include the 'Subjective Atlas of Amsterdam' (2023), 'Subjective Atlas of Brussels' (2018), 'Subjective Atlas of Colombia' (2015), and 'Subjective Atlas of Palestine' (2007).
Additionally, De Vet co-founded 'Disarming Design from Palestine,' a thought-provoking design platform developing artisanal products from Palestine that convey alternative narratives about life under occupation. This initiative started in 2012 in collaboration with Khaled Hourani and the International Academy of Arts Palestine. In 2015 it continued as an independent non-profit organization based in Belgium and Palestine since 2015. As a total, the body of work explores the role of design in public and political discourse, seeking to develop methods, structures, and tools that empower a pluralist society through design. The different projects explore how design can be a powerful activism and social change tool. The approach encourages critical thinking about the role of design in society, challenging dominant narratives, questioning preconceptions, and prompting discussions about the ethics and responsibilities of designers in addressing complex social and political problems.
Cancelled! Annelys de VetlectureAgendaArtistic activitiesUnfortunately we have to cancel this lecture due to illness.
Annelys de Vet (1974, NL, she/her) is a Belgium-based designer, researcher, and educator with a practice for long-term, participative design projects that actively engage in social and political struggles. Currently, De Vet is a PhD researcher at ARIA, a practice-led doctoral study at Sint Lucas School of Arts and the University of Antwerp. Her research focuses on the conditions of design pedagogy to counteract oppression and injustice through design. She teaches in the master's program in a social-political context at the Sint Lucas School of Arts, and regularly lectures on alternative cartography, critical pedagogy, and relational design practices at various institutions worldwide.
De Vet established the temporary master's program 'Disarming Design' (2019–2022) at the Sandberg Instituut Amsterdam, dedicated to design practices in situations of oppression at the intersection of design, crafts, politics, pedagogy, community, and activism. She edited 'Design Dedication’ (Valiz, 2020), a publication exploring adaptive mentalities in design education informed by heading the MA in Design ’Think tank for Visual strategies' at the Sandberg Instituut in Amsterdam from 2009 to 2019. De Vet initiated the publishing initiative 'Subjective Editions,' which provides publications mapping countries from the inside out, offering a human perspective. Notable publications in this series include the 'Subjective Atlas of Amsterdam' (2023), 'Subjective Atlas of Brussels' (2018), 'Subjective Atlas of Colombia' (2015), and 'Subjective Atlas of Palestine' (2007).
Additionally, De Vet co-founded 'Disarming Design from Palestine,' a thought-provoking design platform developing artisanal products from Palestine that convey alternative narratives about life under occupation. This initiative started in 2012 in collaboration with Khaled Hourani and the International Academy of Arts Palestine. In 2015 it continued as an independent non-profit organization based in Belgium and Palestine since 2015. As a total, the body of work explores the role of design in public and political discourse, seeking to develop methods, structures, and tools that empower a pluralist society through design. The different projects explore how design can be a powerful activism and social change tool. The approach encourages critical thinking about the role of design in society, challenging dominant narratives, questioning preconceptions, and prompting discussions about the ethics and responsibilities of designers in addressing complex social and political problems.
Goda Budvytytė & Joris KritislectureAgendaArtistic activitiesGoda Budvytytė
Goda Budvytytė is a Lithuanian graphic designer. With a focus on close collaborations, she works with various practitioners in the cultural field, since 2008. She has created identities for multiple exhibitions and institutions, including Lithuanian Pavilion at Venice Biennale (Golden Lion), Museum of Roman Civilization (Rome), Tai Kwun Contemporary (Hong Kong), Architecture of Territory (ETH Zurich), Kunstinstituut Melly (Rotterdam). She has designed publications for various publishers and artists, among them longstanding collaborators such as Tarek Atoui, Raimundas Malašauskas, Jessica Warboys, and Manon de Boer. Between 2018–2020 she ran laumes, a studio for interdisciplinary research, teaching and design founded together with artist Viktorija Rybakova. In 2022, she had a solo exhibition within In-Design platform at MACRO—Museum of Contemporary Art of Rome.
Joris Kritis
Joris Kritis studied graphic design at Sint-Lucas Ghent and was a participant of the Werkplaats Typografie from 2006 to 2008. Since 2009 he has been working as an independent graphic designer, working mainly in the fields of art and architecture. In addition, he has been the art director for the Biennale INTERIEUR since 2016. He taught at the Gerrit Rietveld Academy in Amsterdam between 2011 and 2013, and has given workshops in Belgium, the Netherlands, Aruba, South Korea and Estonia.