Three recently completed book projects inspire an evening of reflection. From very different angles these projects look for ways to think and act beyond anthropocentrism. They challenge the idea of the human as a singular, dominant maker of the world, seeking to demonstrate a rich plurality of perspectives instead. How can artists and designers be receptive in their work to the voices of the non-human entities we live among?

Disobedient Bodies marks the first public moment for two newly formed research clusters at KASK & Conservatorium: The Body Plural and Disobedient Practices. Members of both clusters will present their work and engage in dialogue around these themes, inviting new ways of imagining our relationships with the entities around us.

The event will consist of a small exhibition, informal presentations and an in-depth conversation about the areas where the books and the research clusters overlap. The evening will be moderated by curator and researcher Edith Doove.

The following books will be subject of discussion:

• Tju|ho – Thoughtful Ways of Making and Walking

Published by Jap Sam Books, Tju|ho – Thoughtful Ways of Making and Walking is a fully bilingual (English and Ju|’hoan) publication that explores thoughtful design, showing how place and community shape sustainable ways of making and walking.

The book centres on the re-creation of the traditional hunting sandal N!ang N|osi in Nhoma, Namibia, and its true owner, the Eland. Since 2021, the project has evolved through close collaboration with the Ju|’hoan communities of Nhoma and Tsumkwe.

At its heart, Tju|ho is a living process of annotation and re-narration, aimed at showing different ways of perceiving and relating to the environment.

The publication is edited by Catherine Willems, Festus Soroab, Anca Ușurelu, and the Ju|’hoan Transcription Group in Tsumkwe, Namibia. Catherine Willems is affiliated with the research cluster The Body Plural.

• Decentering Design – Practice in a More-than-human World

An invitation to journey beyondhuman-centric thinking and into the more-than-human world. By merging theory with practice, the publication offers strategies, insights, and exercises that cultivate a deeper sensitivity to the interconnected more-than-human community we form with all living beings. With diverse contributions by architects, landscape architects, product- and interaction designers, artists, photographers, philosophers, academics, curators, policy makers and policy officers. Contributions include FormaFantasma, Superflux, Eva Meijer, Clemens Driessen, Mihnea Tanasescu, Dries Segers and Jacopo Leveratto, among others.

This publication is the outcome of a research project by Bert De Roo, Giliam Ganzevles, Mirte van Aalst and Glenn Deliège, and edited and designed by Jurgen Maelfeyt. Published by APE (Art Paper Editions). A new project, Intermediate Zones, by Bert De Roo, Giliam Ganzevles and Jerry Galle Galle is affiliated with the research cluster Disobedient Practices.

• Liberate the Machines!

A personal experience of a dialogue with machines, narrated through the making of the experimental film Mechanisms Common to Disparate Phenomena; #59. Through this narration the book develops a view on how humans can learn from the devices they constructed. The human technical milieu is a collective product, a long-term external memory to which each generation contributes and the design and development of technology is therefore a form of politics. Media archaeology is presented as a method to investigate this collective construction.

By Joost Rekveld, design by Isabelle Vigier. Published by Studio Joost Rekveld and KASK & Conservatorium. Joost Rekveld is affiliated with the research cluster Disobedient Practices.

• COBBLERATION is a playful blend of “cobblers” (shoemakers) and “collaboration.” It is part of a new vocabulary we draw out to describe our practices.
• ​COBBLERATION is a groundbreaking global movement that unites artisans and researchers to revolutionize footwear production.
• ​COBBLERATION seeks to combine Indigenous craftsmanship with cutting-edge technology to explore sustainable, healthy, and just alternatives for making and wearing shoes.​​​​​​​​​​​​​​

Where are we at? ​​​

Footwear production has a high carbon footprint (around 700 million metric tons of CO2 annually) and generates waste billions of non-biodegradable shoes discarded yearly, contributing to environmental degradation. With the rise of fast-fashion and mass production, traditional craftsmanship is in steep decline, threatening centuries-old artisanal skills and the livelihoods of craftspeople.

​But it doesn't have to be this way. ​

More than a decade of working with cobblers—through making, walking, and talking—has revealed common threads in traditional footwear practices. Despite their diverse origins, these traditions share a deep understanding of natural materials, an intuitive respect for foot biomechanics, and a view of walking as both a physical act and a meaningful practice. These insights have led to a set of footwear guidelines. And now, for the first time, cobblers from different traditions will come together at !Khwa ttu, the San Heritage Centre in South Africa, to ask some fundamental questions:

How can traditional cobblers shape the future of sustainable footwear?

What collective actions can be taken to ensure both protection and promotion of footwear related heritage? ​​

During a week of collective making, walking and talking, we - the cobblers - hope to reach some possible answers to these questions, and many others that will emerge from our exchanges.​

COLLABORATING COMMUNITIES​​​

• San | Namibia/S-Africa
  Common Antilope/eland
• Saami Sapmi | Inari, Finland
  Reindeer hides
• Kolhapuri | Atahani, India
  Buffalo hides
• Diné | Navajo Nation, USA
  Buffalo and deer hides
• Mongolian | Ulaanbaatar, Mongolia
  Sheep wool

This first COBBLERATION event will highlight the San heritage linked to the making and wearing of the eland hunting sandal and connected storytelling. Ju|’hoan cobblers will share their skills in an active N!ang N|osi (traditional hunting sandal) workshop. The first part of the event is closed, being focused on creating space for exchanges between the cobblers through making, walking and talking practices.