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about the programme
Music is not created overnight. The composer invents and plays music on existing or dreamed-of instruments, improvises, shares, writes down after long consideration or records music on an electronic sound carrier. This field of tension is incessantly evolving to this day.

composition

about the programme
study path
bachelor + master music
graduating option composing music
study path composition
3+2 years
language
Dutch
English master

profile music programme

Located in the vibrant city of Ghent, labeled as UNESCO City of Music, the music department of KASK & Conservatory Ghent is in a privileged position to educate skillful and inspiring performing and creating musicians and instrument makers. Our approach focuses on three layers of musicianship: the artistic practice, the performance practice and presentation, and community engagement.

Artistic practice

Making music is at the very heart of our education program. Whether the students’ major discipline is creating, performing or producing classical music, pop, jazz, making musical instruments, or any combination of these disciplines, technical skills (instrumental technique, soft- and hardware, craftmanship) and creative skills (composition, improvisation, design) are of the utmost importance, supported by solid theoretical foundations (music theory, human and natural sciences). In addition to the skill set, we cultivate the so-called curating mindset: a prosperous artistic practice requires a researching mind, continual critical reflection, and an entrepreneurial spirit.

Performance practice and presentation

Making music requires playing together, with or in front of an audience. Even when a student is pursuing a solo career, we believe that musical collaboration in various contexts is key. To this end we offer and stimulate various ensemble practices, e.g. (big)band, chamber ensemble, choir, studio recording sessions, orchestra, creative labs and interdisciplinary collectives. Students need to be able to present often and have their work confronted with peers and audiences, from experimental creations in the safe environment of the school’s premises, over musical instrument exhibitions and try-outs, to official concerts in public venues on and off campus.

Community engagement

Making music is a relational practice, where a musician as well as a musical instrument maker connects with a complex and intertwined ecosystem of colleagues, stakeholders, and audiences. Throughout our education program, we underscore and facilitate networking in expanding circles: from self-care and self-reliance, over creating collaborative networks with other artists and cultural organizations, up to a critical and socially engaged attitude to the global world we live in.

read more about composition

Inventing and fathoming music

The composer is an inventor of the as-yet unimaginable, inventor of new paths, guardian of tradition, creator of concert, theatre and film music, ... Whatever the aesthetic or ideological choices, every composer wants to fully fathom the medium of music in order to then rediscover it with ever equal wonder.  

The composition course provides the means to take up a well-founded position within this ambivalence. The search for beauty thereby starts from the refusal of habit, a relentless fundamental questioning of the entire apparatus that makes up the music industry and in which the social conditions are embedded: for which instrument, for which audience, for which circumstance?  

A survey of cultural history and philosophy and the deepening of a music-historical awareness are indispensable tools in this regard. How composers in the past and today have answered recurring questions in different authentic ways is reflected in a thorough study of score analysis. General music theory, solfège and ear training, form the basic competences of every classical musician. Traditional writing techniques such as harmony and counterpoint not only refine internal hearing and imagination, but can also act as a starting point of critical reflection in the development of a personal and contemporary tonal language. Therefore, this classical writing study is also included in the basic training, while jazz harmony and applied harmony are welcome extensions. 

Instrument knowledge and music in practice

A composer should acquire a thorough knowledge of instruments coupled with an intelligent view of the practice and psychology of making music. These complementary objectives are addressed in a range of theoretical and more practice-oriented course units.  

General scientific, historical and categorising insights from organology and acoustics are given specific content in instrumentation and orchestration. Sound realisation and sound research are in turn a contemporary voyage of discovery through the world of live electronics and software in support of composition.  

Finally, keyboard practice and choir prepare you for more general music-making and the coaching of small and larger ensembles. These competences are indispensable for the eventual realisation of a master's thesis and your personal artistic project: a full-length concert of your own work that takes on a completely autonomous musical form and whose organisation rests with the composer.  

Such organisation requires the artist to take a broad view beyond the strictly musical. Course units such as cultural management, music and law and legal and economic aspects of the music industry show paths leading from dream to reality. 

English master

KASK & Conservatorium offers English-language master programmes in the visual arts, audiovisual arts, drama and music. Each year, dozens of foreign students choose the master programmes of our faculty to continue their studies. The presence of students from different international backgrounds is an enrichment for our educational tradition and provides an added value to the training of foreign master students and Flemish students moving on from the Dutch-language bachelor programmes alike.

The programmes are organized so as to facilitate encounters between Dutch-speaking and English-speaking students in informal contexts, in seminars and courses, and even in artistic projects they start up together. There are no differences in curricula, competencies, learning outcomes or organization between the English-language programmes and their Dutch-language counterparts. English-speaking candidates holding a master’s degree in music can also go in for the advanced master contemporary music or one of our postgraduate programmes.

Don’t hesitate to contact the study and learning track counsellors with your questions.

study programme

1E BACHELOR
60 credits
Course unit
Credits
Sem
Compositie I
18
J
Klavierpraktijk 1
3
J
Toegepaste harmonie 1
3
J
Koor 1
3
J
Algemene muziektheorie, solfège
en gehoorvorming
6
J
Harmonie en contrapunt 1
6
J
Akoestiek 1
3
1
Instrumentenleer
3
J
Muziekgeschiedenis van de 20e eeuw
3
J
Overzicht van de wijsbegeerte
3
J
Studie van literaire teksten
3
J
Inleiding tot het onderzoek in de kunsten
3
1
Eén opleidingsonderdeel te kiezen
3
Inleiding improvisatie
3
1 of 2
Muziektechnologie
3
2
Niet-Westerse muziektradities
3
2
Conservatorium concerten
3
J
Studium Generale
3
J
60
2E BACHELOR
60 credits
Course unit
Credits
Sem
Compositie II
18
J
Klavierpraktijk 2
3
J
Toegepaste harmonie 2
3
J
Koor 2
3
J
Klankrealisatie 1
3
J
Solfège en gehoorvorming
5
J
Harmonie en contrapunt 2 (compositie)
6
J
Partituuranalyse 1
4
Partituuranalyse: 1900 tot 1960
2
1
Partituuranalyse: middeleeuwen, renaissance, barok
2
2
Instrumentatie
3
J
Muziekgeschiedenis: middeleeuwen,
renaissance, barok
3
J
Kunstenaarsteksten
3
2
Overzicht van de muziekpsychologie
3
1
Opleidingsonderdeel naar keuze
3
Minor Interdisciplinair project
3
J
of keuze
3
J
60
3E BACHELOR
60 credits
Course unit
Credits
Sem
Compositie III
20
J
Klavierpraktijk 3
3
J
Toegepaste harmonie 3
3
J
Klankrealisatie 2
3
J
Harmonie en contrapunt 3 (compositie)
6
J
Partituuranalyse 2
4
Partituuranalyse: klassiek en romantiek
2
2
Partituuranalyse: 1960 tot vandaag
2
1
Orkestratie
3
J
Muziekgeschiedenis: klassiek en romantiek
3
J
Overzicht van de muzieksociologie
3
1
Dossier
3
J
Opleidingsonderdeel naar keuze
3
Studium Generale
3
J
Ondernemen
3
1 of 2
Niet-Westerse muziektradities
3
2
Conservatorium concerten
3
J
Koor 3
3
J
Specifiek theoretisch opleidingsonderdeel
3
J
Minor naar keuze
6
Minor Improvisatie 1
6
J
Minor Live-Electronics 1
6
J
Minor Koordirectie 1
6
J
60
1E MASTER
60 credits
Course unit
Credits
Sem
Compositie master I
24
J
Coachen en Musiceren 1
6
J
Electroakoestische compositietechnieken 1
3
2
Posttonale compositietechnieken
3
J
Actuele aspecten van de muziekanalyse
3
J
Juridische en zakelijke aspecten van de muziekindustrie
3
J
Masterseminaries
12
J
Twee opleidingsonderdelen naar keuze
6
Studium Generale
3
J
Ondernemen
3
1 of 2
Niet-Westerse muziektradities
3
2
Conservatorium concerten
3
J
Improvisatie 1
3
J
Koor master 1
3
J
Akoestiek 2
3
J
Live electronics, video en performance
3
J
Specifiek theoretisch opleidingsonderdeel
3
J
60
2E MASTER
60 credits
Course unit
Credits
Sem
Masterproef Compositie
27
J
Masterproef Compositie
27
J
Coachen en Musiceren 2
6
J
Elektroakoestische compositietechnieken 2
3
2
Muziek en management
3
1
Scriptie
9
J
Kunst in het werkveld
6
J
Twee opleidingsonderdelen naar keuze
6
Studium Generale
3
J
Ondernemen
3
1 of 2
Niet-Westerse muziektradities
3
2
Conservatorium concerten
3
J
Improvisatie 1
3
J
Improvisatie 2
3
J
Koor master 2
3
J
Akoestiek 2
3
J
Live electronics, video en performance
3
J
Specifiek theoretisch opleidingsonderdeel
3
J
60
1E ENGLISH MASTER
60 credits
Course unit
Credits
Sem
Composition master I
24
Y
Coaching and Musicianship 1
6
Y
Electro-acoustic composition techniques 1
3
2
Posttonal composition techniques
3
Y
Current aspects in music analysis
3
Y
Legal and business aspects of music industry
3
Y
Master seminars
12
Y
Two electives
6
Conservatory concerts
3
Y
Improvisation 1
3
Y
Choir master 1
3
Y
Live electronics, video en performance
3
Y
60
2E ENGLISH MASTER
60 credits
Course unit
Credits
Sem
Master Project Composition
27
Y
Coaching and Musicianship 2
6
Y
Electro-acoustic composition techniques 2
3
2
Music and management
3
1
Thesis
9
Y
Arts in practice
6
Y
Two electives
6
Conservatory concerts
3
Y
Improvisation 1
3
Y
Improvisation 2
3
Y
Choir master 1
3
Y
Voice training 1
3
Y
Voice training 2
3
Y
Live electronics, video en performance
3
Y
60

enrolment

If you want to apply for an academic bachelor's, you must first pass an artistic admission test. To enter the master's programme, you will take part in an orientation test. These are organised several times per academic year.

quality assurance

KASK & Conservatorium's programme in music has been assessed against the internationally recognised standards of MusiQuE in 2022.

read, watch, listen
contact
you'll follow most classes at
Biezekapelstraat
9, Biezekapelstraat
9000 Ghent

credits

  1. Roel Vanstiphout, Graduation 2021, photo: Benina Hu