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upcoming dates
12.07.26, 16:00,
Helga Ameye, Molrat, Kinda at Gent JazzconcertAgendaArtistic activitiesOn 12 July, the Garden Stage will be dedicated to the collaboration between Gent Jazz and HOGENT. Helga Ameye, Kinda and molrat have been selected by KASK & Conservatorium. They won’t be stepping onto the stage unprepared, as they will be mentored by an established musician in the run-up to the festival.
Helga Ameye
Helga Ameye expands her artistic identity as composer and lead singer through her band. Her message, "to feel deeply and not be afraid to touch and be touched” — runs through every layer of her work with her band. Wodan Onkelinx (keyboards), Stanzi Cresens (cello, vocals), Tuur Geldhof (bass) and Thibault Goudket (drums, vocals).
Helga Ameye’s sound is enriched by the authentic contributions of each the band members. Her sonic palette is like layered, clashing colours— delicate, overlapping textures of sound. This complexity is an electronic indie-pop sound marked by emotional depth and subtle complexity. To tell her story, she draws on her jazz background, weaving repetition, modality, and harmonic nuance into her songwriting. Inspired by artists such as Radiohead, Tsar B, Tamino, James Blake and Pitou.
Kinda
Kinda is made up of producers Zias Roeland & Rocco Segers, together with drummer Flor Nackaerts, who bring their own distinctive interpretation to Midwest emo. Originally starting out as an electronic dance project, their sound has gradually evolved into something more emotional and alternative, while still retaining subtle electronic undertones. Working entirely independently, they produce and shape every aspect of their music themselves, using that creative freedom to fully realise a personal artistic vision. For fans of: Amercian Football, Pinegrove & Horse Vision.
molrat
molrat combines spacey synths with razor-sharp drum breaks, groovy basslines, hypnotic percussion, and a vibey vibraphone. Through spontaneous jam sessions, the group transforms concepts into club-ready tracks. These concepts come from breaks, basslines, synth-melodies, sequencers or just about anything imaginable. Drawing inspiration from UK club culture — from UK garage and jungle to IDM — alongside jazz and hip-hop, molrat channels the spirit of artists such as Squarepusher, Lone, Amon Tobin, Joy Orbison, The Roots… molrat is steadily building a reputation not only on the live music circuit but also within the club scene, with the sole aim of getting both gig audiences and club-goers on their feet and moving wherever they play. Expect pounding bass, flashing strobes, relentless energy, and immersive, otherworldly soundscapes. Don’t forget your dancing shoes!
9000 Gent
Vocaal à la carte, MIRY Concert hallconcertAgendaArtistic activitiesBenoît De Leersnyder has skilfully put together a varied programme featuring opera, operetta, art songs, chansons and musical theatre, performed by vocal students from KASK & Conservatorium. We couldn’t have imagined a more fitting opening to our festival.
Au Bain MIRY is a summer music festival featuring concerts by up-and-coming talent from KASK & Conservatorium during the Gentse Feesten. The concerts are free for students and staff of KASK & Conservatorium. We want to make the concerts accessible to everyone. For those who wish to contribute, we operate a Pay What You Can system: you choose how much to contribute – come for free or choose between a small, standard or support contribution.
**pay what you can
9000 Gent
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OverviewPDF
You can use this series of videos and files to prepare for stage 3 - theory of the admission test for the bachelor of jazz, pop and music production. The theory test has three parts: rhythm, eartraining and music theory. You will find videos and accompanying documents for each section according to difficulty level: basic, intermediate and advanced.
Note: these videos and instructions are in Dutch since you can only take the test in Dutch. See the admission requirements in step 1.
Rhythm is part of the theoretical entrance test for the bachelor's degree in jazz, pop and music production. You can use the videos and documents below to prepare for the test.
If you have any questions, please contact the lecturer Toon van Dionant.
Basic
INTRODUCTION RHYTHM
RHYTHMIC DICTATION AND READING 1
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00:00 - Introduction from whole notes to sixteenth notes
15:31 - Rhythmic dictation on cells
33:16 - Make your own dictation or reading exercises
Intermediate
RHYTHMIC DICTATION AND READING 2
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00:00 - From 16th notes
13:02 - Making your own dictation
15:06 - Triplets
23:06 - Overview of all combinations
26:41 - Punctuated notes
30:10 - Bindings
RHYTHMIC DICTATION AND READING 3
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00:00 – Swingfeel
06:48 – 6/8
CLAVE
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00:00 Introduction and exercises
14:42 Cascara
17:26 Clave in 12/8 context
Advanced
HEARING EXERCISE: CLAPPING AND SINGING
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00:00 - Hearing/memory
10:36 - Swing Frases
13:33 - Singing drum grooves
POLYRHYTHM
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00:00 – Introduction
01:39 – 2 over 3
05:35 – 3 over 2
08:05 – 4 over 3
11:25 – 3 over 4
Ear training is part of the theoretical admission test for the bachelor's degree in jazz, pop and music production. You can use the videos and documents below to prepare for the test.
If you have any questions, please contact the lecturer Lode Mertens.
Basis
INTRODUCTION EAR TRAINING
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EAR TRAINING INTERVALS
Intermediate
MELODIC DICTATION (WITHOUT RHYTHM)
MELODIC DICTATION (WITH RHYTHM)
Music theory is part of the theoretical admission test for the bachelor's degree in jazz, pop and music production. You can use the videos and documents below to prepare for the test.
If you have any questions, please contact Warre Van de Putte.
Basic
VIDEO 1
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02:09 Scales
12:17 Intervals
16:40 Chords: major triads
24:40 Chords: minor triads
26:40 Diatonic triads
Intermediate
VIDEO 2
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01:15 Repetition of diatonic chords
04:20 Related (or relative) minor
05:05 Related minor third scale
06:20 Diatonic series in minor
10:30 The Dominant seventh chord
17:10 Diatonic quadruplets on I - VIm
VIDEO 3
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01:00 The diminished chord
06:47 The full diatonic sequence
13:47 Analyses of songs, standards and more
28:40 Chords with special bass notes and inversions
32:10 Secondary dominants or intermediate dominants
VIDEO 4
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00:56 All the triads
14:15 An analysis of I Will Survive & Fly Me To the Moon
26:55 Harmonic and Melodic minor
Advanced
VIDEO 5
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01:33 An application of antique, harmonic and melodic minor
09:20 Inversion of four notes
14:36 Relation of all keys
20:28 Some more scales
26:42 Admission test 2021 discussed

